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Yorkshire mores

September 2008

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The release next month of a new screen version of Evelyn Waugh’s Brideshead Revisited will once again put Yorkshire and Castle Howard on the map. But the county is no stranger to bookish links. From the boyhood haunts of Ted Hughes to Brontë country, Richard Askwith explores the literary tourist trail
Yorkshire
The splendid Atlas Fountain in the grounds of Castle Howard
David Crookes

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The whole place pulsates with drama: an aristocratic extravagance with giant statues glowering haughtily from its domed roof

Suddenly a new and secret landscape opened before us. We were at the head of a valley and, below us, half a mile distant, grey and gold amid a screen of boskage, shone the dome and column of an old house…’

The house is one of the most famous in fiction: Brideshead Castle, where the charmed, cursed Flyte family lived out their decadent tragedy in Evelyn Waugh’s most popular novel. Who could resist a visit to the real-life house from which it was drawn?

The trouble is, more than one house has a claim to have been Waugh’s model for the novel. The fashionable view is that he wrote with Madresfield, the Worcestershire seat of the eccentric Lygons, in mind. Yet in the popular imagination there is only one ‘real’ Brideshead: Castle Howard in Yorkshire.

Both views may be correct. The human story that inspired Brideshead Revisited clearly came largely from Madresfield, but Castle Howard almost certainly supplied much of the architectural detail, from the shining dome to the spectacularly ornate fountain by which several crucial scenes are set. And with Castle Howard about to feature in its second major screen adaptation of the novel, opening next month, the connection between place and book seems irreversibly fixed – not least in the minds of the 200,000 people who visit the house each year.

Waugh himself would not have approved. He despised ‘trippers’. (‘Oh, Charles, don’t be such a tourist,’ says Sebastian Flyte at one point in Brideshead, when Charles Ryder expresses an interest in the origins of the dome.) But Castle Howard has literature – and showbusiness – running through its veins.

It’s not just that it was designed by a playwright, John Vanbrugh. The whole place pulsates with drama: a vast architectural explosion of aristocratic extravagance, with giant statues glowering haughtily from its domed roof; all set in 1,000 acres of immaculate grounds. I doubt if anyone sees it for the first time without a sharp intake of breath.

It’s hard to imagine living here happily, amid so much grandiosity, but the outrageous scale makes it a great place to visit: the vastness soaks up the crowds so you hardly notice them. And the Brideshead connection adds a layer of interest few other stately homes can offer.

‘Brideshead has been extremely important in bringing Castle Howard to the attention of many people who might otherwise never have heard of it,’ says Simon Howard, the current owner. ‘The house and estate would have survived without Brideshead, but we would not have moved on as fast as we have without it.’

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Posted by Richard Askwith

Tags

castles, countryside, writers, UK

Where to stay in Yorkshire

The Star Inn at Harome (+44 (0)1439 770 397, thestaratharome.co.uk) costs £130 for a double room including breakfast. The Devonshire Arms (+44 (0)1756 718111, thedevonshirearms.co.uk) costs from £260 per night including breakfast, use of spa and access to the Bolton Abbey Estate. The Wayfarer Bistro (+44 (0)1947 880 240, wayfarerbistro.co.uk) has doubles from £65 per night including breakfast. No 54 (+44 (0)1439 771 533, no54.co.uk) has doubles from £40 per person including breakfast.

Other Yorkshire literary circles

Bowes (Durham)

Now in Durham rather than Yorkshire, following a boundary change in 1974, but worth seeing as the site of Bowes Academy, one of the notorious ‘Yorkshire schools’ on which Dickens modelled Dotheboys Hall in Nicholas Nickleby.

Bolton Abbey

The romantic ruins of the 12th-century Priory northeast of Skipton inspired Turner, Landseer and Hockney as well as Sir Walter Scott and Alan Bennett (in his 1972 television play, A Day Out). The key literary text here is Wordsworth’s The White Doe of Rylstone – which narrates the fall of the proud house of Norton in two failed rebellions against the Tudors.

Heptonstall

Last resting place of Sylvia Plath and one of the prettiest villages in England. Ted Hughes often came here with her, and later buried her there, not far from his parents’ graves. Plath described Heptonstall as ‘wild and lonely and a perfect place to work’, and at least one of her poems (November Graveyard) seems to refer to it.

Ravenscar

Alan Bennett’s play, The Madness of George III, dramatises the monarch’s real-life struggle with porphyria-induced insanity, and his treatment by, among others, Dr Francis Willis. Some say this treatment took place in Ravenscar, in the house that is now the Ravens Hall Hotel. It probably didn’t. Dr Willis owned the house, and George III stayed there but not at the same time. It’s more likely Willis used his profits from treating the king to buy the place. Yet even the vaguest association justifies a literary tourist’s visit. The spot is breathtakingly beautiful.

Thirsk

The World of James Herriot can be found at 23 Kirkgate, the red front door of which still has a brass plaque beside it reading: ‘Mr JA Wight, MRCVS, Veterinary Surgeon.’ Alf Wight was Herriot’s real name, and his half-century of practice there provided the raw material for his It Shouldn’t Happen to a Vet series. There will be visitors aplenty for next month’s 2008 Herriot Convention (10-12 October 2008).

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